Distortion of marxism in duong Thu Huong's novel Without a name and Kim Echlin's The disappeared

By: Contributor(s): Material type: TextTextLanguage: English Publisher: Mannheim 2014Description: Online-RessourceContent type:
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Summary: Abstract: In Novel Without A Name (1996) and The Disappeared (2010), the brutalities of the Vietnam War and the Cambodian Civil War are depicted vividly. The implementation of suspect Marxist doctrines and ideologies is portrayed as the main factor that led to such atrocities. Thus, the central issue or theme of these two novels is the distortion of Marxism. This is foregrounded not only through incidents that take place on the battlefield, but also through the relationships between characters. The latter are not much explored by scholars to examine the main theme, the distortion of Marxism. Hence, this study investigates the importance of relationships in reflecting and developing the theme, the distortion of Marxism, as depicted in Duong Thu Huong's Novel Without A Name and Kim Echlin's The Disappeared via the concept of Marxism. By referring to the true set of Marxist ideologies, the distorted Marxist doctrines implemented in the Marxist regime depicted are shown. This paper reveals that
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Item type Current library Collection Call number Status Date due Barcode
Bücher Bücher Schulbibliothek BSZ Mistelbach ZSB Fremdsprachige Literatur FS.E HUO (Browse shelf(Opens below)) Available 201453

Veröffentlichungsversion

begutachtet (peer reviewed)

In: International Letters of Social and Humanistic Sciences (2014) 41 ; 138-149

Abstract: In Novel Without A Name (1996) and The Disappeared (2010), the brutalities of the Vietnam War and the Cambodian Civil War are depicted vividly. The implementation of suspect Marxist doctrines and ideologies is portrayed as the main factor that led to such atrocities. Thus, the central issue or theme of these two novels is the distortion of Marxism. This is foregrounded not only through incidents that take place on the battlefield, but also through the relationships between characters. The latter are not much explored by scholars to examine the main theme, the distortion of Marxism. Hence, this study investigates the importance of relationships in reflecting and developing the theme, the distortion of Marxism, as depicted in Duong Thu Huong's Novel Without A Name and Kim Echlin's The Disappeared via the concept of Marxism. By referring to the true set of Marxist ideologies, the distorted Marxist doctrines implemented in the Marxist regime depicted are shown. This paper reveals that

Archivierung/Langzeitarchivierung gewährleistet DE-101 pdager

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